|
|
Inner: Our relationship with ourselves, connected to our mind, body, or emotions.
Personal: Our relationships with other people, like friends, family, lovers, and co-workers
Extra-personal: Our relationship with our environment, social institutions, and roles in society.
An example of this for a B2B audience might be:
Without any details, I bet you can spin up half a dozen scenarios using just those three elements.
As you approach any topic, simply pitting the reader against a single threat like deadlines, budgets, or resources, will instantly make it more compelling.
James Bond doesn't deal with inner conflict or complicated relationships. All he needs is to save the world from some extra-personal threat and look cool doing it.
That said, conflicts on two or three layers can make for more complex and nuanced stories.
Take Jason Bourne. He doesn’t know:
Conflict across all three levels vs. one is what makes Bourne and Bond very different spy-thrillers and very different movies.
Is one better than the other? That's a matter of preference.
At this point, I think that’s clear, so let's demonstrate with a fairly standard blog post:
Repurposing content
The popular narrative looks something like this.
Content repurposing is a great way to grow your brand's online presence.
All you have to do is:
The standard post then fills in the blanks on what to do, without providing resources on how to do it.
This is a prime example of giving the reader what they want, but not what they need to be successful.
The true story looks more like this:
Conflict creates credibility, and showing you understand the progressive complications of each step makes you an authority.
As the creator, the instinct is to be concerned about overwhelming the reader. But the truth is, each complication provides an opportunity to give the reader a reason to keep returning until they believe the thing you sell is the perfect solution to their problem—because you understand the problem so well.
In the next three parts of this series, we’ll explore each conflict layer and ways it can make the work better.
In the meantime, here’s what I want you to do.
When you review your next piece, note what obstacles would prevent the reader from doing what you're suggesting. Also note whether it is an internal, personal, or extra-personal conflict.
You don't have to do anything with this just yet, but I guarantee it will strengthen the work.
Until then…
Want me to edit you?
Starting in 2024, I'm hosting a monthly writing workshop where we'll explore the concepts through the lens of your work. Join me, and a group of your peers live while I edit attendees work and discuss these concepts live.
Oli Gardner is one of my earliest influences and what he's talking about in this post is a different application of many of the same principles we've been talking about.
Oli is a master storyteller and public speaker, and the PDF he's giving away is a perfect demonstration of why.
The Vault is a collection of articles that have been edited by guest editors on The Cutting Room.
Look at raw drafts and see how editors from companies like Writer.com, Calendly, Airtable, and more give their feedback in the doc.
In this early episode of The Cutting Room, Jacob McMillen starts by asking one of the most important questions.
Jump into the document.
Watch the video as Jacob edits live.
Share your content for a chance to be edited by an industry-leading marketer on the show!
One Washington Street suite 3108, Dover, NH 03820 |
Tommy Walker is the founder of The Content Studio, a content marketing consultancy for Fortune 1,000 companies and fast growing B2B startups. Prior to founding The Content Studio, Tommy was the Global Editor-in-Chief at QuickBooks, and the first marketing hire at Shopify Plus. Currently, he hosts "The Cutting Room" where he interviews industry-leading marketers about their content marketing philosophy, process, and pre-game before they edit an article live. Guests have been from companies like Asana, Calendly, Docusign, Vimeo and more.
For years we've heard the phrases "Provide value" and "Be engaging" but these are so vague and lack definition. As someone who has studied storytelling from age 10 - first as a career actor, then as a marketer - I believe there are multiple principles that can be taken from film theory and behavioral psych and ancient philosophy that can help us create stuff that can be valuable and resonate at a deeper level. But to do that, we first need to know what that value is, why the person on the...
Now that The State of (Dis)Content Report is finally out, I’d like to talk about a few of the specific data points and see if we can pick them apart and push past some of these challenges we've been having. Over the next few days, I’d like to read between the lines and point out what I think are the root issues of content marketing, and provide suggestions on how to overcome them. I'm calling the series: Dissecting (Dis)Content You may agree with my assessments (I hope you do), you may not...
Remember the first time you got hooked on a band or musician that was way outside what you normally listen to? Or when that friend said, “No, you HAVE to watch this movie” and you were blown away, even though it never would have crossed your radar?That’s the exact reason I hate the idea that so many people believe “Quality” is subjective. There’s “content” out there that, even if it doesn’t suit your preferences, is objectively good.“Alien” and “Forrest Gump” are often considered objectively...